Artistic Analogies Film Co.'s "Frankly, Franky" wrapped up on Wednesday. Above is the final poster for the film, provided to us by Artistic Analogies' Kevin M. Slee. And as we wait for the final product, let us get to know another of the talents behind Matthew Anderson's short film, "Franky, Frankly"'s composer, John W. Snyder.
With the help of director/producer Kevin M. Slee, we are able to ask John Snyder a few questions relating to his previous and future work and his projects with Artistic Analogies including the short film "Franky, Frankly."
----
Have you worked with Kevin M. Slee before?
Many times. And hopefully many more to come!
What is it like working with Slee and Artistic Analogies Film Co.?
Fantastic. He's a rare breed among young filmmakers and I have every confidence in his continued success. He is curious about everything, has very high standards, and understands the composer's predicament. So many productions are willing to settle for synthetic mockups and poorly written music. I feel the quality and originality of film music lessens as budgets shrink, sampled substitutions take over, and anyone with garageband and loops joins the competition. But no matter the progress of technology, true quality will always take a great deal of investment and experience. Kevin understands this. And he appreciates that getting the music right is just as important as getting a great shot or performance. He gives me a lot of freedom too. At least half of the projects I've worked on with him I've worked without a temp track, which implies a lot of trust. Matt is also fantastic to work with. He loves music, has a wicked good ear, and was responsible for securing our three lead singers.
What were your previous projects prior "Franky, Frankly"?
Oh, wow. Many projects. I'm always working on something - films, commercials, concert music, playing in bands, accompanying, assisting other composers - never seems to end. Which is good, because I have to pay rent! I guess the most recent success was a VW commercial I co-composed on.
What inspiration did you have while creating music for the film?
Matt pitched this idea: three songs in three different styles sung by three different singers. How often does a project like that come along? Matt was going for very specific styles on each cue, so those pre-determined genres of classical, jazz, and 60's pop were necessary influences. Ultimately, I always try to make the director and producers happy while infusing elements that are uniquely me. It's a tricky dance and backfires sometimes, but it's worth it.
What got you into composing?
My parents forcing me into piano lessons! My dad introduced me to the great scores of Goldsmith and others and my mom persisted in finding phenomenal teachers. They really really went out of the way to ensure I received a first rate music education. But it wasn't until I was twenty-one that I started taking composition seriously. I'm attracted to film music because it always presents new worlds, challenges, and relationships, which keeps life exciting and keeps me on my toes. And like texts in vocal music, film music can communicate with more clarity though the message of its film, which is also very appealing to me.
Where do you find inspiration? What composers and film compositions have inspired you?
Books. Keeps new ideas coming. Seeking out new experiences, musical or otherwise, is also important. If a composer's experiences stagnate, his palette will stagnate. I'm also deeply impressed by the attitude of early pre-baroque composers. They had an unequaled brilliance and theistic humility that contrasts with the current cults of hyper individualism. It's a beautiful aesthetic and I believe in it. Modern composers that inspire include Schnittke, Pärt, Golijov, Górecki, Ligeti, and many more. Influential film composers include Nyman, Goldsmith, Marianelli, Goldenthal, Corigiliano, Thomas Newman, Burwell, Shore, and others. Any film associated with them usually inspires me. There are so many great films and scores out there! But if there's one film that consistently makes it to the top of my list it's The Shawshank Redemption.
Any future projects? Projects with Artistic Analogies?
There's always irons in the fire. Gotta hustle to survive! Currently working on a short, a web-series, commercials, some art songs, and a few other very promising possibilities. I think Matt is a uniquely talented director and I can't wait for his next film. And I certainly hope to work on more projects with Artistic Analogies. I know Kevin has a lot of projects in the works and if he doesn't bring me on…well, let's just say I know where he lives!
----
Much appreciation to Kevin M. Slee, Artistic Analogies Film Co., and John W. Snyder for making this article possible.
Please check out the preview of "Franky, Frankly"'s soundtrack by John W. Snyder right HERE.
For more information on "Franky, Frankly" check out their Facebook page.
For more updates on Artistic Analogies Film Co.'s on-going and future projects, check out their Facebook and Twitter pages. Director/producer Kevin M. Slee is on Twitter as well.
On Twitter- Matthew Anderson, Mikandrew Perdaris, and Allan Hyde.
SOURCES: Artistic Analogies Film Co.; AllanHydeNews.com
No comments:
Post a Comment